BEGIN:VCALENDAR
METHOD:PUBLISH
PRODID:-//github.com/rianjs/ical.net//NONSGML ical.net 4.0//EN
VERSION:2.0
BEGIN:VEVENT
DTSTAMP:20260422T121353Z
DTSTART:20220414T190000
LOCATION:Cincinnati Art Museum
SEQUENCE:0
SUMMARY:Black Future Series: A Conversation on Black Art Collectives–Past\
 , Present\, Future
UID:00000000-0000-0000-0000-000000000000
X-ALT-DESC;FMTTYPE=text/html:<p><span data-contrast="auto">Toilynn O’Neal\
 , Founding Director of the Robert O’Neal Multicultural Arts Center\, host
 s a discussion about the significance and importance of Black Art Collect
 ives and movements\, with a distinguished panel of Black artists and hist
 ory-holders including artist Jimi Jones\, artist/educators Annie Ruth and
  James Pate\, and Cincinnati-born Kamoinge Workshop photographer\, Beufor
 d Smith. (Please see bios below.) The panel will explore African American
  cultural and historical experience through their creative lens\, and the
  transformative ways African American artists use their voices to make an
  impact in their communities and beyond. </span></p>\n<p><span data-contr
 ast="auto">6:30–7 p.m.: <a rel="noopener" href="https://www.cincinnatiart
 museum.org/events-programs/events-list/bfs-creativity-in-dialogue-apr-14-
 28-2022/?date=April+14%2c+2022+06%3a30+PM" target="_blank" data-anchor="?
 date=April+14%2c+2022+06%3a30+PM">Black Futures Series:</a></span><a rel=
 "noopener" href="https://www.cincinnatiartmuseum.org/events-programs/even
 ts-list/bfs-creativity-in-dialogue-apr-14-28-2022/?date=April+14%2c+2022+
 06%3a30+PM" target="_blank" data-anchor="?date=April+14%2c+2022+06%3a30+P
 M"> <span data-contrast="auto">Creativity in Dialogue</span></a><span dat
 a-contrast="auto"> spoken word performances in the Western and Southern G
 alleries (G232 and G233)<br />7–8 p.m.: Panel discussion in Fath Auditori
 um<br />8–9 p.m.: Public reception in the Castellini Room\, adjacent to F
 ath Auditorium.</span><span data-ccp-props="{&quot\;201341983&quot\;:0\,&
 quot\;335559739&quot\;:160\,&quot\;335559740&quot\;:240}"> <br /></span><
 /p>\n<p><strong>Free. Limited seating.</strong></p>\n<p><span data-contra
 st="none">This event is part of the </span><a rel="noopener" href="https:
 //www.cincinnatiartmuseum.org/black-futures-series/" target="_blank"><spa
 n data-contrast="none">Black Futures Series</span></a><span data-contrast
 ="none"><a rel="noopener" href="https://www.cincinnatiartmuseum.org/black
 -futures-series/" target="_blank"> </a>inspired by David Driskell and the
  Kamoinge Workshop’s commitment to mentorship\, self-representation\, and
  the creation of opportunity\, brought to you through a partnership betwe
 en CAM and the Robert O’Neal Multicultural Arts Center. </span><span data
 -ccp-props="{&quot\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quo
 t\;335559740&quot\;:240}"> <br /><br /></span><span data-ccp-props="{&quo
 t\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\;335559740&quot
 \;:240}"></span></p>\n<h3><strong>Moderator Bio </strong></h3>\n<p><stron
 g>Toilynn O’Neal (Turner) </strong><span data-contrast="auto">is passiona
 te promoter of diversity through the arts and education who wears many ha
 ts in the cultural\, educational\, and artistic community. As Founding Di
 rector of the Robert O’Neal Multicultural Arts Center (ROMAC)\, O’Neal wo
 rks to celebrate\, advance\, and preserve African American culture and ac
 hievement through the arts\, history\, and education while uplifting the 
 rich diversity of artists and cultures of Greater Cincinnati. The ROMAC w
 ill be a hub for Black Indigenous People of Color (BIPOC) artists and liv
 e in the historic Regal Theatre in the West End community. O’Neal is also
  the Executive Director of Queen City Foundation\, which provides educati
 onal opportunities for African American students to reach academic excell
 ence and exposes them to resources and programs that prepare them to be p
 roductive\, creative\, ethical\, engaged citizens and leaders with an inf
 ormed global perspective. Her extensive list of current volunteer positio
 ns includes membership on the board of the Cincinnati Arts Association\, 
 The Cincinnati Ballet\, Clifton Cultural Art Center\, Invest in Neighborh
 oods\, and the Nrityarpana School of Performing Arts.</span><span data-cc
 p-props="{&quot\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\;
 335559740&quot\;:240}"> </span></p>\n<p><span data-contrast="auto">O’Neal
  was recently recognized as one of the Cincinnati USA Regional Chamber's 
 "We Are Making Black History" campaign honorees. Other awards and recogni
 tion include the MAC Award for Diversity and Leadership in the Arts from 
 the Multicultural Awareness Council (MAC) of the Cincinnati Symphony Orch
 estra\, Gold Star Chili's "Flavor Maker\," the NAACP Arts and Education A
 ward\,  Cincinnati USA Convention &amp\; Visitors Bureau's "Wendel P. Dab
 ney Spirit Award\," Cincinnati Who's Who in Black Cincinnati for the Arts
 \, Kenton County (KY) Award for Art Education\, Leading Women Award for A
 rt/Entertainment (Women Fund Greater Cincinnati Foundation)\, Cincinnati 
 YWCA Rising Star Recipient\, Cincinnati Herald Nefertiti Award\, Eye of t
 he Artist Foundation "Dada Rafiki" Award\, Outstanding Woman of America\,
  and an Applause ImageMaker Emerging Leader Recipient.</span><span data-c
 cp-props="{&quot\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\
 ;335559740&quot\;:240}"> </span></p>\n<p><span data-ccp-props="{&quot\;20
 1341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\;335559740&quot\;:24
 0}"> </span></p>\n<h3><strong>Panelist Bios </strong></h3>\n<p><span data
 -contrast="auto"><strong>Jimi Jones</strong>\, </span><span data-contrast
 ="auto">is a graduate of the University of Cincinnati College of Design\,
  Architecture\, Art\, and Planning and a retired P&amp\;G Art Director. A
  founding member of the Neo-Ancestralist art movement in Cincinnati\, he 
 has had numerous shows including at the Contemporary Arts Center\, the Wi
 lber Jennings Gallery in New York\, and a one man show at the Springfield
  Museum of Art. Jimi has a studio at the Carl Solway Gallery building in 
 downtown Cincinnati.</span><span data-ccp-props="{&quot\;201341983&quot\;
 :0\,&quot\;335559739&quot\;:160\,&quot\;335559740&quot\;:240}"> </span></
 p>\n<p><strong>James Pate </strong><span data-contrast="auto">was born in
  Birmingham\, Alabama\, and raised in Cincinnati\, where he attended the 
 Art Academy of Cincinnati. Pate has been a recipient of an Ohio Arts Coun
 cil Individual Excellence grant and two Montgomery County Individual Arti
 st Fellowships. For the past ten years\, Pate has created large-scale cha
 rcoal drawings and scratchboard pieces\, and is widely known for his idio
 syncratic Techno-Cubism style\, which fuses immaculate realism with spati
 al abstraction. Pate currently lives\, works\, and teaches in Dayton\, Oh
 io\, where he designs instructional methods for encouraging at-risk stude
 nts to stay in school for the Dayton Public Schools. He is also engaged i
 n graphic design projects and fine arts production.</span><span data-ccp-
 props="{&quot\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\;33
 5559740&quot\;:240}"> </span></p>\n<p><strong>Annie Ruth </strong><span d
 ata-contrast="none">is an internationally respected artist and arts educa
 tor. Her work positively influences audiences in Europe\, Africa\, and th
 roughout the United States. Her arts curriculum sets are used in educatio
 nal and cultural institutions around the world. She earned a Bachelor of 
 Arts Degree in Interdisciplinary Studies from National University in San 
 Diego\, California and studied graphic design at the University of Cincin
 nati\, College of Design Architecture and Art. Annie Ruth has received cr
 itical acclaim for her work in the community.</span><span data-ccp-props=
 "{&quot\;201341983&quot\;:0\,&quot\;335559739&quot\;:160\,&quot\;33555974
 0&quot\;:240}"> </span></p>\n<p><strong>Beuford Smith</strong><span data-
 contrast="auto">—one of the fourteen early members of the Kamoinge Worksh
 op featured in the major museum exhibition </span><em>Working Together: T
 he Photographers of the Kamoinge Workshop</em><span data-contrast="auto">
 —was born and raised in Cincinnati\, Ohio. A self-taught photographer\, S
 mith began freelancing in the late 1970s. He is the founder of Cesaire Ph
 oto Agency and a founder and chief photo editor of the </span><em>Black P
 hotographers Annual</em><span data-contrast="auto"> (1973-1981). He has t
 aught photography at Cooper Union\, Hunter College\, and the Brooklyn Mus
 eum. Smith served as staff photographer for Emmanuel Baptist Church from 
 1995-2007. He is a former President (1997-2003) and member (1965-2005)\, 
 and now president emeritus of Kamoinge\, Inc. Smith spearheaded the Kamoi
 nge collective’s effort to achieve 501(c)3 status and facilitated collect
 ing photos by Kamoinge members for the book </span><em>The Sweet Breath o
 f Life\, </em><span data-contrast="auto">edited by Frank Stewart. Smith s
 erved on the curatorial committee for the </span><em>Committed to the Ima
 ge</em><span data-contrast="auto"> exhibition at the Brooklyn Museum in 2
 001 and on NYFA’s photography panel in 2002. He is also a former Advisory
  Board member of En Foco\, Inc. (2005-2012). Smith received a New York Fo
 undation for the Arts Fellowship in 1990 and 2000\, a LightWork Artist-in
  Residence Fellowship in 1999 and an Aaron Siskind Foundation Fellowship 
 in 1998\, among other awards. Smith’s collection of photographs and archi
 val material forms a key historical document on the creative and collabor
 ative landscapes in which he has been involved in the twentieth and twent
 y-first centuries.</span><span data-ccp-props="{&quot\;201341983&quot\;:0
 \,&quot\;335559739&quot\;:160\,&quot\;335559740&quot\;:240}"></span></p>\
 n<hr />\n<p><span data-ccp-props="{&quot\;201341983&quot\;:0\,&quot\;3355
 59739&quot\;:160\,&quot\;335559740&quot\;:240}"><em>If you need accessibi
 lity accommodations for this program or event\, please email <a rel="noop
 ener noreferrer" href="mailto:access@cincyart.org" target="_blank"><u>acc
 ess@cincyart.org</u></a>. Please contact us at least two weeks in advance
  to ensure accommodations can be made.</em></span></p>\n<p> </p>\n<h3><st
 rong>Registration is not requested for this event.</strong></h3>
END:VEVENT
END:VCALENDAR
