John Edmonds (American, b. 1989), Losing fathers we never knew, 2022, pigment inkjet print, 60 x 40 in. (152.4 x 101.6 cm) © John Edmonds, courtesy of the artist, commissioned by the Cincinnati Art Museum
David Hartt (Canadian, lives/works United States, b. 1967), The Garden (Rosa hybrida & Wisteria sinensis / Tivoli, Italy / May 19, 2022), 2022, dye transfer print, window mat, aluminum frame, 20 x 16 in. (50.8 x 40.6 cm), framed 23 5/8 x 29 1/2 in. (74.9 x 60 cm) © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum
John Edmonds (American, b. 1989), Refuge, 2022, pigment inkjet print, 40 x 60 in. (101.6 x 152.4 cm) © John Edmonds, courtesy of the artist, commissioned by the Cincinnati Art Museum
David Hartt (Canadian, lives/works United States, b. 1967), The Garden (Parietaria judaica / Tivoli, Italy / May 19, 2022), 2022, dye transfer print, window mat, aluminum frame, 20 x 16 in. (50.8 x 40.64 cm), framed 23 5/8 x 29 1/2 in. (74.9 x 60 cm) © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum
John Edmonds (American, b. 1989), What is the way?, 2022, pigment inkjet print, 60 x 40 in. (152.4 x 101.6 cm) © John Edmonds, courtesy of the artist, commissioned by the Cincinnati Art Museum
David Hartt (Canadian, lives/works United States, b. 1967), The Garden (Acanthus mollis, Urtica dioca & Oenanthe javanica / Rome, Italy / May 17, 2022), 2022, polyester, cotton, wool, acrylic, KGem (cotton mercurise) mounted to linen, wood stretcher, aluminum frame, 114 x 76 in. (289.6 x 193 cm) © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum
Vance Waddell and Mayerson Galleries (Galleries 124 and 125), with additional installations elsewhere in the museum.
Friends of Photography
Commissioned by the Cincinnati Art Museum, Natural World is a collaboration between artists John Edmonds and David Hartt, poet and scholar Jason Allen-Paisant, and organizing curator Nathaniel M. Stein. The project explores meanings of nature and naturalness through overlapping dialogues with history, collections, and institutions. Hartt’s and Edmonds’s photography-based installations are presented in two dedicated galleries and selected sites throughout the museum. A companion book puts their work in conversation with new writing by Stein and Allen-Paisant.
Edmonds’s project, Father’s Jewels, is a profound meditation on family, reflecting on themes of identity, community, and belonging. Conceived in dialogue with works from the museum’s collection of African art and with the European artistic tradition, Edmonds’s pictures explore wounding, conflict, reverence, and love within and between generations of Black men. Hartt’s project, The Garden, examines ways of seeing and picturing that are rooted in European artistic, political, and intellectual traditions. Synthesizing concerns he has explored throughout his career, Hartt focuses on plant life as it negotiates the environment outside human-assigned physical parameters and social meanings. Both artists offer pivotal statements about what it might look like to include silenced positions in a shared conversation about the nature of the world.
To request accessibility accommodations, please email [email protected] at least two weeks in advance.
Thursday, September 29, 2022, 5–7 p.m.
Along with our cohosts for the evening, FotoFocus and The Donald P. Sowell Endowment Committee, the museum welcomes Members and FotoFocus Passport Holders to celebrate the opening of Natural World with a self-guided exhibition preview and refreshments.
Complimentary shuttle service runs continuously between CAM and the Taft Museum of Art throughout the evening, with service available for Members and FotoFocus Passport Holders.
Registration coming soon.
Thursday, September 29, 2022, 7–8 p.m., Alice Bimel Courtyard
Reservation required. Members and FotoFocus Passport Holders, free; General Public, $20; Students, pay what you wish.
Curator of Photography Nathaniel M. Stein is joined by Jason Allen-Paisant, John Edmonds, and David Hartt for a dialogue about the expansive collaboration and ideas reflected in the Natural World exhibition and book.
Call 513-721-ARTS (2787) to reserve.
Jason Allen-Paisant (Jamaican, b. 1980) is Associate Professor of Aesthetic Theory and Decolonial Thought in the School of English and the School of Languages, Cultures and Societies at the University of Leeds. His forthcoming monograph, Engagements with Aimé Césaire (Oxford University Press, 2023) is a philosophical study of poetry from the perspective of African metaphysics. He is the author of Thinking with Trees (winner of the Poetry category of the 2022 OCM Bocas Prize for Caribbean Literature) and of Self-Portrait as Othello (forthcoming in 2023 from Carcanet Press). He is currently at work on a memoir entitled Second Lives: On Blackness, Landscape, and Reclaiming Time. Among other matters, Allen-Paisant’s work explores embodied experience in the context of Afro-diasporic politics and worldbuilding, often reflecting on the complex meanings of nature in Black life.
John Edmonds (American, b. 1989) is an artist and photographer who first came to public recognition with his intimate portraits of lovers, close friends and strangers. He earned his MFA in Photography from Yale University and his BFA at the Corcoran School of Arts & Design. His work explores themes of identity, community, desire and belonging. Collections include: The Brooklyn Museum, Art Gallery of Ontario, Whitney Museum of American Art, Philadelphia Museum of Art, Museum of Fine Arts Houston, Museum of Modern Art, New York, SFMoMA, Rubell Collection, National Gallery of Art, Milwaukee Art Museum, J. Paul Getty Museum, Solomon R. Guggenheim Museum, RISD Museum, and Yale University Art Gallery. Edmonds has held residencies at the Skowhegan School of Painting and Sculpture, Skowhegan, Maine; Light Work, Syracuse, New York; and the Banff Centre, Banff, Alberta, Canada. Recent exhibitions of his work include Black Modernism - Africa and the Avantgarde at the Kunstmuseum Pablo Picasso, Münster, Germany; God Made My Face: A Collective Portrait of James Baldwin at David Zwirner, New York; Ex-Africa at the Quai Branly Museum in Paris, France; and The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time at the Brooklyn Museum. Edmonds has taught at Yale University and the School of Visual Arts. He currently lives and works in Brooklyn, New York and is Visiting Lecturer on Art, Film and Visual Studies at Harvard University.
David Hartt (Canadian, b. 1967) is an artist, and Associate Professor in the Department of Fine Arts at the University of Pennsylvania. Recent solo exhibitions include The Histories at the Hammer Museum, Los Angeles; A Colored Garden at The Glass House, Connecticut; and the group exhibition Reconstructions: Architecture and Blackness in America at The Museum of Modern Art, New York. Hartt’s work is in several public collections including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Studio Museum in Harlem, New York; The RISD Museum, Providence; The Art Institute of Chicago; Museum of Contemporary Art, Chicago; The J. Paul Getty Museum, Los Angeles; The National Gallery of Canada, Ottawa; and The Stedelijk Museum, Amsterdam. He is represented by Corbett vs. Dempsey, Chicago, David Nolan Gallery, New York and Galerie Thomas Schulte, Berlin.
Nathaniel M. Stein (American, b. 1976) is Curator of Photography at the Cincinnati Art Museum. He has held curatorial positions, taught, and lectured in the history of photography at institutions including the Philadelphia Museum of Art; the Philadelphia Photo Arts Center; RISD and the RISD Museum; Brown University; and the Victoria and Albert Museum, London. Selected prior publications include The Levee: A Photographer in the American South (2020), which was the first major study of Indian photographer Sohrab Hura, and Interference: Andre Bradley and Paul Anthony Smith (2017). Stein holds degrees in art history from Wesleyan University, Connecticut, and from Brown University, where he earned his doctorate.
Photo of David Hartt by Ager Carlsen; photo of John Edmonds courtesy of the artist; photo of Nathaniel Stein by Tim Tiebout
Designed by featured artist David Hartt and conceived as a conceptual extension of the artists’ commissioned work, the Natural World companion book presents Hartt and Edmonds’s photographs together with artworks and documents they selected from the collections and archives of the museum. Essays by Jason Allen-Paisant and Nathaniel M. Stein explore interrelated encounters with collections and the natural world, reflecting on the practice of history against the impetus to tell history straight.
Published by the Cincinnati Art Museum and printed and bound locally in limited quantity; 112 pages; cloth, foil stamped hardcover; fully illustrated; four color offset printing.
Available for purchase through the Museum Shop, beginning September 29, 2022.
Coming soon: audio exhibition content, images, and transcripts enhance your gallery visit or bring the gallery experience to you wherever you are.
Charles Scott Riley III Foundation