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Behind the Scenes in Conservation: Let There Be LIGHT(ening)!

by Obie Linn, Conservator of Textiles

10/10/2024

CAMConservation, textile conservation, 1890s fashion, Cincinnati Wing

In the textile conservation lab, a three-piece 1890s cotton muslin ensemble arrived for treatment!

Behind the Scenes in Conservation: Cleaning an Enamel Tray

by Kelly Rectenwald, Conservator of Objects

10/3/2024

CAMConservation, objects conservation, Cloisonne Tray, Qing Dynasty

The dark grime on its surface is thick and unevenly embedded in the layers of a degraded wax coating.

Discovering Ansel Adams – SketchCAM

by Bruce Petrie, President, Board of Trustees

9/27/2024

Sketching, SketchCAM, Ansel Adams, Discovering Ansel Adams, photograph, landscapes

For this edition of SketchCAM, let’s take our sketchbook and pencil into Discovering Ansel Adams, featuring the landscape photography of Ansel Adams (1902–1984) on view from September 27, 2024 to January 19, 2025.

Behind the Scenes in Conservation: Decluttering!

by Serena Urry, Chief Conservator

9/26/2024

CAMConservation, paintings conservation, Italian Altarpiece

After a very close and extended examination by our conservator , it seems certain Madonna and Child was originally part of an Italian Renaissance altarpiece.

Inspired by The Culture: A Portrait Project for Students

by Kim Plagge, Art Teacher at Ursuline Academy

9/24/2024

The Culture: Hip Hop and Contemporary Art in the 21st Century, teacher blog, Teacher resources, Megan Lewis, Fresh Squeezed Lemonade

If you have not seen the exhibition The Culture: Hip Hop and Contemporary Art in the 21st Century, go now—it closes soon on Sunday, September 29!

Behind the Scenes in Conservation: There! That’s better!

by Obie Linn, Conservator of Textiles

9/18/2024

CAMConservation, 1890s fashion, textile conservation

You ever have had a project lingering around your house or work that just … bugs you? A thing that needs to be done if only someone would just DO it? This bodice was one of those projects!

The Power of Art: Celebrating Our Humanity – SketchCAM

by Bruce Petrie, President, Board of Trustees

9/4/2024

Sketching, SketchCAM, Pinocchio, Jim Dine, Pinocchio (Emotional), outdoor sculpture, sculpture

SketchCAM is a quick sketch showing how the museum’s mission and art work together. Our mission: Through the power of art, we contribute to a more vibrant Cincinnati by inspiring its people and connecting our communities.

Behind the Scenes in Conservation: Brighter Skies over Waterloo Bridge!

by Serena Urry, Chief Conservator

8/29/2024

CAMConservation, paintings conservation, Constable, British catalog project

A few weeks ago, we posted about cleaning this landscape painting by British artist John Constable (1776–1837). The conservation treatment proceeded as quickly as we expected.

Outdoor Art: Yinka Shonibare’s Wind Sculpture (SG) IX

by Kiara Galloway, Visitor Services

8/28/2024

Yinka Shonibare, Public art, outdoor art, sculpture, outdoor sculpture, British Nigerian, Colonialism

Titled Wind Sculpture (SG) IX, Shonibare made this large-scale (22 feet tall!) mixed-media work from stainless steel, hand-painted glass, and reinforced polyester.

Responding to Rodin

by Sai Ashish Bommasani, Visitor Services

8/26/2024

Rodin | Response: FIELD family secrets, sculpture, DAAP, University of Cincinnati, School of Art, Taft Marsh, Diluted Lineage, Camille Claudel

The pieces in Rodin | Response: FIELD family secrets are a mixture of Rodin’s own sculptures with works from students in the DAAP School of Art at the University of Cincinnati.

Behind the Scenes in Conservation: Investigating a Chuck Close Print

by Cecile Mear, Conservator of Works on Paper

8/22/2024

CAMConservation, Chuck Close, Keith Hollingworth, paper pulp print, Art Bridges, Denison Museum, Denison University, portrait, paintings conservation

Denison Museum at Denison University (Granville, Ohio) will show nine Cincinnati Art Museum pieces in different media from August 29 to November 29, 2024, in their exhibition Portraying Identity .

Graffiti: From Underground to Mainstream

by Harlem Lennox, Marketing Intern

8/15/2024

The Culture: Hip Hop and Contemporary Art in the 21st Century, graffiti, street art, Rammellzee

ho could've guessed back then that graffiti, this revolutionary art form, would become a powerhouse influencing the art world, graphic design, and global media.

Behind the Scenes in Conservation: Cleaning Mercury’s Landing Pad

by Kelly Rectenwald, Conservator of Objects

8/8/2024

CAMConservation, objects conservation, Giambologna, Mercury, bronze, marble, scuplture

This week in objects conservation, we are cleaning marble.

John C. Lutz Rediscovered

by Julie Aronson, PhD, Curator of American Paintings, Sculpture and Drawings

8/7/2024

John C. Lutz, Curatorial Blog, Works Progress Administration, WPA, Great Depression, Black Sunday

The Cincinnati Art Museum recently acquired the painting Black Sunday of 1937 by John C. Lutz, the only Black artist in Cincinnati (and one of four in Ohio) hired on the Federal Art Project of the Works Progress Administration (WPA), the government program that provided employment during the Great Depression.

Behind the Scenes in Conservation: Blue Skies over Waterloo Bridge

by Serena Urry, Chief Conservator

8/1/2024

CAMConservation, paintings conservation, Constable, British catalog project

We brought this lovely landscape, Waterloo Bridge by British artist John Constable (1776-1837), into the conservation lab to be examined for the British catalog project. Not conserved for more than 60 years, the painting’s varnish is now noticeably yellow.

Behind the Scenes in Conservation: Brightening up a George Bellows Print

by Cecile Mear, Conservator of Works on Paper

7/25/2024

George Bellows, lithograph, paper conservation, CAMConservation, slant washing, John L. Sullivan

One of Bellow’s larger lithographs, Introducing John L. Sullivan, is torn in places along its right side; these tears could worsen with handling if not mended.

Behind the Scenes in Conservation: “Toile” Tales

by C. Obie Linn, Conservator of Textiles

7/18/2024

CAMConservation, Rei Kawakubo, textile conservation

Wanting to do a little more analysis of this piece, I took the jacket back to the museum’s Conservation lab and created a toile, which is like a test version of a pattern used to study and perfect how an original flat pattern works.

Behind the Scenes in Conservation: Removing Tarnish from Two Art Deco Lamps

by Kelly Rectenwald, Conservator of Objects

7/11/2024

Art Deco, CAMConservation, Joseph Urban, 1920s desk lamps, brass, tarnish, objects conservation

This pair of art deco lamps, designed by Joseph Urban, was last on view in 2022 as part of the exhibition Unlocking an Art Deco Bedroom by Joseph Urban.

Behind the Scenes in Conservation: Analyzing Vouet’s Venus

by Serena Urry, Chief Conservator

7/4/2024

CAMConservation, Vouet, pigments, pigment analysis, pigment identification

A few weeks ago, two scientists from the Center for Archaeometry & Art Research Palatinate (CAAP) in Germany spent the morning in one of our European galleries to analyze Toilette of Venus, a painting by French artist Simon Vouet (1590–1649).

Escape the Summer Heat!

by Franck Mercurio, Publications Editor

6/27/2024

frank benson, early evening, American Impressionism, summer, summer vacation, beach towns, north haven, maine, escape the heat

Cincinnati’s summertime temps and high humidity make me long for the beach resorts of the Northeast—towns like Fire Island and Provincetown where generations of urban (and suburban) folk have flocked to escape the heat of summer.

Meet Jason Rawls—Guest Curator of The Culture: Hip Hop and Contemporary Art in the 21st Century

by Jason Rawls, Guest Curator

6/27/2024

The Culture: Hip Hop and Contemporary Art in the 21st Century

Get to know Jason Rawls, EdD Guest Curator and Assistant Professor, The Ohio State University.

Behind the Scenes in Conversation: New seats, never been sat!

by C. Obie Linn, Conservator of Textiles

6/20/2024

textile conservation, CAMConservation, historic upholstery, colonial dames, colonial furniture

It was time for the ladderback chairs in Gallery 218 to get a refresh! The chairs’ silk upholstery wasn’t original and over the years, while on display, the fabric had grown dingy and stained. Curator of Decorative Arts & Design Amy Dehan selected some appropriate, modern fabric in consultation with me, and I recovered the seats!

Take a Tour and Discuss Art!

by Sai Ashish Bommasani, Visitor Services

6/20/2024

public tours, docents

In addition to exhibitions, CAM also offers free public tours of the collection open to everyone from all walks of life.

Piercing Details: Telling a Story of Chance

by Rose Milnes, Curatorial Assistant for South Asian Art, Islamic Art, and Antiquities

6/17/2024

South Asian Art, Islamic Art, antiquities, Gulistan, Sa'di

There’s always that time at the Cincinnati Art Museum when magic happens—when departments like curatorial, conservation, and design and installation come together twice a year to rotate light-sensitive works in our galleries, including works on paper and textiles, to preserve the artwork for future generations.

Behind the Scenes in Conservation: Protecting Plensa’s Isabella

by Kelly Rectenwald, Conservator of Objects

6/13/2024

Jaume Plensa, Isabella, museum grounds

Last week, outdoor sculpture conservators from McKay Lodge Conservation Laboratory (based in Oberlin, Ohio) paid a visit to the museum.

Happy Dr. Hou-mei Sung Day!

by e.m.i., Digital Content Manager

6/6/2024

East Asian Art, Cincinnati

In 2023 the City of Cincinnati proclaimed June 8 to be Dr. Hou-mei Sung Day, in honor of the museum’s curator of East Asian Art.

CAM Dancers? Not Just Degas Ballerinas

by Cole Rodgers, Marketing Project Manager

6/6/2024

Dance, Egyptian Art, Japanese Art, African Art, American Art

See some unexpected ways that dance is woven into the CAM collection.

A Closer look at Jaume Plensa’s Isabella

by Kiara Galloway, Web Content Management Intern

5/31/2024

Jaume Plensa, Isabella, outdoor art, outdoor sculpture, museum grounds

Located outside the museum’s Longworth wing, Isabella by artist Jaume Plensa (Spanish, b. 1955) stands peacefully in an open bed of grass unto herself. Her eyes are closed, and her expression is peaceful as though she is in a deep restful slumber.

What are you looking at? Conserving a Portrait of a Young Anne Bellows

by Cecile Mear, Conservator of Works on Paper

5/30/2024

paper conservation, lithograph, Anne Bellows, George Bellows

To help this artwork look her best for CAM’s fall exhibition, George Bellows: American Life in Print, she stopped by the Paper Lab for conservation treatment.