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Behind the Scenes in Conservation: Brightening up a George Bellows Print

by Cecile Mear, Conservator of Works on Paper

7/25/2024

George Bellows, lithograph, paper conservation, CAMConservation, slant washing, John L. Sullivan

One of Bellow’s larger lithographs, Introducing John L. Sullivan, is torn in places along its right side; these tears could worsen with handling if not mended.

What are you looking at? Conserving a Portrait of a Young Anne Bellows

by Cecile Mear, Conservator of Works on Paper

5/30/2024

paper conservation, lithograph, Anne Bellows, George Bellows

To help this artwork look her best for CAM’s fall exhibition, George Bellows: American Life in Print, she stopped by the Paper Lab for conservation treatment.

Behind the Scenes in Conservation: Treatment of Cincinnati’s Galt House

by Cecile Mear, Conservator of Works on Paper

1/11/2024

paper conservation, Galt House Cincinnati, Emil Klauprecht, historic Cincinnati, lithograph, CAMConservation

In my post of November 30, I promised to explain what it took to improve the appearance and the mechanical condition of Emil Klauprecht’s 1830s lithograph, Galt House.

Behind the Scenes in Conservation: Return to Storage

by Conservation

10/8/2020

behind the scenes, Lorna Simpson, Women Breaking Boundaries, waterless lithography, conservation

In September the light sensitive objects that had been on display in the Women Breaking Boundaries exhibit were returned to storage.

Behind the Scenes in Conservation: Installing Unframed Prints

by Conservation

4/16/2020

Lorna Simpson, women breaking boundaries, waterless lithography, light sensitivity, behind the scenes, conservation

For those of you who saw Women Breaking Boundaries before the museum had to close its galleries, you would have seen the wall-sized piece by Lorna Simpson, Wigs.