3/27/2025
Inside our objects conservation lab, this 19th-century mirror is once again standing upright in all of its glory for the first time in several decades.
2/13/2025
How many different fabrics are you wearing right now?
2/12/2025
This Zandra Rhodes robe has undergone a journey!
2/6/2025
My initial examination of the painting revealed that some of the paint was poorly attached to the paper support, so before the work went into the gallery, it made a stop in the paper lab.
12/12/2024
Basket of Fruit, a still life by American artist John Francis (1808–1886), was last conserved here at CAM in 1975.
12/9/2024
In November I travelled to Louisville, Kentucky, to help install two drawings by Cincinnati-based artist Gee Horton at KMAC Contemporary Art Museum.
11/13/2024
*Warning: puns and silly wordplay ahead! If that’s not your thing, this may not be the pLACE for you!
10/10/2024
In the textile conservation lab, a three-piece 1890s cotton muslin ensemble arrived for treatment!
10/3/2024
The dark grime on its surface is thick and unevenly embedded in the layers of a degraded wax coating.
9/26/2024
After a very close and extended examination by our conservator , it seems certain Madonna and Child was originally part of an Italian Renaissance altarpiece.
9/18/2024
You ever have had a project lingering around your house or work that just … bugs you? A thing that needs to be done if only someone would just DO it? This bodice was one of those projects!
8/29/2024
A few weeks ago, we posted about cleaning this landscape painting by British artist John Constable (1776–1837). The conservation treatment proceeded as quickly as we expected.
8/22/2024
Denison Museum at Denison University (Granville, Ohio) will show nine Cincinnati Art Museum pieces in different media from August 29 to November 29, 2024, in their exhibition Portraying Identity .
8/8/2024
This week in objects conservation, we are cleaning marble.
8/1/2024
We brought this lovely landscape, Waterloo Bridge by British artist John Constable (1776-1837), into the conservation lab to be examined for the British catalog project. Not conserved for more than 60 years, the painting’s varnish is now noticeably yellow.
7/25/2024
One of Bellow’s larger lithographs, Introducing John L. Sullivan, is torn in places along its right side; these tears could worsen with handling if not mended.
7/18/2024
Wanting to do a little more analysis of this piece, I took the jacket back to the museum’s Conservation lab and created a toile, which is like a test version of a pattern used to study and perfect how an original flat pattern works.
7/11/2024
This pair of art deco lamps, designed by Joseph Urban, was last on view in 2022 as part of the exhibition Unlocking an Art Deco Bedroom by Joseph Urban.
6/20/2024
It was time for the ladderback chairs in Gallery 218 to get a refresh! The chairs’ silk upholstery wasn’t original and over the years, while on display, the fabric had grown dingy and stained. Curator of Decorative Arts & Design Amy Dehan selected some appropriate, modern fabric in consultation with me, and I recovered the seats!
5/30/2024
To help this artwork look her best for CAM’s fall exhibition, George Bellows: American Life in Print, she stopped by the Paper Lab for conservation treatment.
5/23/2024
Remember the blue dress from a few weeks ago? This week she’s back—with a secret.
5/9/2024
Boy with Grapes, by Sir Joshua Reynolds (1723–1792), is the 45th painting examined in the paintings conservation lab over the last eighteen months, for the British catalog project.
4/25/2024
This week in the textile conservation lab, I am working on a day dress dating to the 1910s. It has a very delicate silk net stand-up collar edged with a metal ribbon and stiffened with wire stays.
4/18/2024
In our last post about the Miss Mariko Okinawa doll’s tea set, we discussed re-joining all of the tiny ceramic fragments.
4/11/2024
This charming portrait of the Honorable Augusta Herbert, by British artist John Hoppner (1758–1810), is long overdue for cleaning.
4/5/2024
Two prints by Lesley Dill featured in the recent post by Curator of Prints Kristin Spangenberg are now on view in Gallery 150. While preparing the prints for framing, I had the opportunity to examine them closely and photograph details that reveal the artist’s creative use of materials.
3/14/2024
As paintings conservators, we may use chemicals, but we certainly don’t give facials.
3/7/2024
Two prints by Willim Hentschel came through the paper lab with old hinges and pressure sensitive tapes. The artist’s work is unlike any other in the collection.
2/29/2024
These elegant pale blue kid leather shoes came to the lab for a new storage tray and interior padding, but they are interesting because they bear tell-tale damage from a specific collection pest: silverfish.
2/22/2024
This week in objects conservation, we are working on several pieces of micromosaic jewelry made in Italy during the late-19th century.