by Obie Linn, Textile Conservator
9/21/2023
textile conservation , Elizabeth Hawes , Flag Dress , before and after , CAMConservation , textiles
There are few things more satisfying than seeing some really dramatic “before and after” photos when a conservation treatment is complete! Conservation of Elizabeth Hawes’ “flag dress” or Geographic (1940) has wrapped up, and now you can flip through a whole album of “before/after” pairs showing the transformations of many of the flags that cover the dress. (See slideshow.)
Can you spot the treatments? Sometimes it’s easy. (I’m looking at you, flag of the Union of South Africa.) Sometimes it’s almost seamless. (Doesn’t the flag of Brazil look great?) Sometimes it’s a trick question because what you see is a new reproduction. (The flag of Poland is reproduced from mere fragments!)
Choosing the best treatment for an object is a big part of being a good conservator, and we are always learning and adjusting to do better for the objects in our care. The flag dress is an interesting conservation case because I used so many different techniques over such a long span of time, allowing each flag’s treatment to be adjusted based on what I’ve learned as I worked on each flag’s unique needs. Flip through the album of “before/after” pairs for a close-up look at the different treatments and ponder which worked best!
Before treatment (left) and after treatment (right) of the flag of Argentina. Treated with facsimile of dyed-to-match silk adhered together to imitate printed original.
Before treatment (left) and after treatment (right) of the flag of Turkey, which is incorporated into the back bodice panel. Treated with new appliqué of dyed-to-match silk prepared with “conservation-safe interfacing” of adhesive-impregnated silk crepeline. New appliqué stitched over the original to preserve what remains of the original.
Before treatment (left) and after treatment (right) of the flag of Brazil. Treated with dyed-to-match silk patches adhered to the reverse plus digitally-printed silk to recreate the painted banner.
Before treatment (left) and after treatment (right) of the flag of Chile.
Before treatment (left) and after treatment (right) of the flag of Egypt.
Before treatment (left) and after treatment (right) of the flag of England.
Before treatment (left) and after treatment (right) of the flag of France.
Before treatment (left) and after treatment (right) of the flag of Mexico. Treated with digitally-printed facsimile.
Before treatment (left) and after treatment (right) of the flag of Poland. Treated with digitally-printed facsimile to reproduce the design from only these fragments.
Before treatment (left) and after treatment (right) of the flag of Poland, another view. Treated with digitally-printed facsimile to fill this gap in Hawes’ design.
Before treatment (left) and after treatment (right) of the flag Portugal. Treated with digitally-printed facsimile.
Before treatment (left) and after treatment (right) of the flag of the British Navy (Red Ensign).
An overall picture of the front of the skirt, before treatment (top) and after treatment (bottom).
Before treatment (left) and after treatment (right) of the flag of Sweden.
Before treatment (left) and after treatment (right) of the flag of Taiwan.
Before treatment (left) and after treatment (right) of the flag of the Union of South Africa.
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