by Conservation
1/11/2018
conservation , behind the scenes , Saint Peter , David and Goliath
Image: Lorenzo Zaragoza (Spanish, b.Circa 1340, d.Circa 1410), Retablo of Saint Peter, Detail, tempera, gold and silver on wood, The Edwin and Virginia Irwin Memorial, 1960.473
Image: Jean-Baptiste-Camille Corot (French, b.1796, d.1875), Captain Faulte du Puyparlier, oil on canvas, Gift of Emilie L. Heine in memory of Mr. and Mrs. John Hauck, 1956.227
Image: Bernardo Strozzi (Italian, b.1581, d.1644), David with the Head of Goliath, oil on canvas, John J. Emery Fund, 1938.10501
Sometimes the conservation studio becomes a sort of waiting room. This was the view from our paintings conservator’s work stand a little while ago. The three saints from the Retablo of Saint Peter at the left and Captain Puyparlier, in the center, are nearing the final stages of conservation treatment. They have been cleaned, filled, underpainted, varnished and are ready to be inpainted. On the right, David and Goliath have been digitally photo-documented, which is the first step of treatment. Now they’re waiting for varnish removal, the beginning of the actual conservation work.
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