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Piercing Details: Telling a Story of Chance

by Rose Milnes, Curatorial Assistant for South Asian Art, Islamic Art, and Antiquities

6/17/2024

South Asian Art, Islamic Art, antiquities, Gulistan, Sa'di

There’s always that time at the Cincinnati Art Museum when magic happens—when departments like curatorial, conservation, and design and installation come together twice a year to rotate light-sensitive works in our galleries, including works on paper and textiles, to preserve the artwork for future generations.

Behind the Scenes in Conservation: 12th–13th Century Water Jar

by Conservation

6/24/2021

ceramics conservation, ceramics, islamic ceramics, Islamic Art, behind the scenes, objects conservation, CAMConservation

This week in objects conservation: Anytime an object is selected for display our objects conservator assesses its condition to determine whether it is stable, or whether it needs conservation treatment before display.

Behind the Scenes in Conservation: More Ceramics!

by Conservation

5/27/2021

ceramics, ceramics conservation, islamic ceramics, Islamic Art, Islamic, behind the scenes, objects conservation, CAMConservation

These two ceramic pieces have the same condition issues we see in many ceramic objects conserved in the early to mid 20th C.

Behind the Scenes in Conservation: 16th century Iznik plate

by Conservation

3/4/2021

ceramics, islamic ceramics, Islamic Art, Islamic, behind the scenes, objects conservation

This week in objects conservation: this 16th century Iznik plate is in the lab receiving treatment.

Exploring Connections: Pak Sheung Chuen and Anila Quayyum Agha

by Dr. Ainsley M. Cameron, Curator of South Asian Art, Islamic Art and Antiquities

12/15/2017

curatorial, Anila Agha, interpretation, South Asian Art, Islamic Art

On a recent visit to London’s Tate Modern, I came across an installation of Pak Sheung Chuen’s A Travel without Visual Experience in a display of the museum’s permanent collection in the newly-opened and installed Blatvatnik Building.