9/26/2024
After a very close and extended examination by our conservator , it seems certain Madonna and Child was originally part of an Italian Renaissance altarpiece.
8/29/2024
A few weeks ago, we posted about cleaning this landscape painting by British artist John Constable (1776–1837). The conservation treatment proceeded as quickly as we expected.
8/22/2024
Denison Museum at Denison University (Granville, Ohio) will show nine Cincinnati Art Museum pieces in different media from August 29 to November 29, 2024, in their exhibition Portraying Identity .
8/1/2024
We brought this lovely landscape, Waterloo Bridge by British artist John Constable (1776-1837), into the conservation lab to be examined for the British catalog project. Not conserved for more than 60 years, the painting’s varnish is now noticeably yellow.
5/9/2024
Boy with Grapes, by Sir Joshua Reynolds (1723–1792), is the 45th painting examined in the paintings conservation lab over the last eighteen months, for the British catalog project.
4/11/2024
This charming portrait of the Honorable Augusta Herbert, by British artist John Hoppner (1758–1810), is long overdue for cleaning.
3/14/2024
As paintings conservators, we may use chemicals, but we certainly don’t give facials.
3/7/2024
Two prints by Willim Hentschel came through the paper lab with old hinges and pressure sensitive tapes. The artist’s work is unlike any other in the collection.
2/15/2024
Last month, three Northwestern scientists brought their highly specialized scanning and imaging equipment to the museum and spent a week in our Paintings/Objects lab.
2/8/2024
Preparations are well underway for the upcoming exhibition From Shanghai to Ohio: Woo Chong Yung (1898-1989). In fact, we have been developing the show for more than four years.
1/18/2024
This visitor favorite, Girl Eating Porridge, by French artist Adolphe William Bouguereau (1825–1905), was acquired by the museum in 1884, a mere ten years after the artist painted it.
12/7/2023
This small painting by American artist Julian Alden Weir (1852–1919) was donated to the museum by the artist in 1911.
11/2/2023
These three portraits by 18th-century British artist Thomas Gainsborough are in the paintings conservation lab to be examined for the British catalog project.
10/5/2023
This small round painting, attributed to the studio of the 17th century Dutch artist Frans Hals, was recently in the paintings conservation lab to have its discolored varnish removed.
8/10/2023
We’ve had this painting by American Impressionist Theodore Robinson (1852–1896) listed for varnish removal for a while. That’s because curators and conservators know that Impressionist artists rarely varnished their paintings.
7/5/2023
Another work recently conserved for the British catalog project, The Approaching Storm by English artist Thomas Barker (1769–1847), presented a challenge.
6/8/2023
When I read the curatorial file for this painting, I discovered a remarkably expansive biography, not just of the painting itself, but also of the sitter and the artist. What is most interesting to me, though, is the sitter’s story.
5/11/2023
We recently cleaned Sunlight on Prospect Street, Gloucester, Massachusetts by Edward Hopper (1882–1967).
4/13/2023
Painted by the French Impressionist Pierre Auguste Renoir (1841–1919), Fog on Guernsey recently paid a visit to our lab for cleaning—and it let us in on a charming secret.
3/16/2023
This portrait of an anonymous lady by an anonymous British artist was so dirty that only the most basic details were visible before conservation.
2/16/2023
These three portraits by Sir Joshua Reynolds (British, 1723–1792) have come out of storage and into the conservation lab for the museum’s British catalog project . They are due to be examined, and perhaps treated, before heading to our photography department for high resolution imaging.
1/19/2023
Before the work was shipped to the museum from out of state, our curator of American art, Julie Aronson, PhD, contacted a professionally trained paintings conservator in that region to examine it. He noted a few areas with cracks and lifting paint that might be jeopardized during transport. With permission from the owner , the conservator applied the three tissue paper patches you see here to make sure that no paint flakes were lost in transit.
12/15/2022
A few months ago, I posted about the complicated surface coatings on Cézanne’s Still Life with Bread and Eggs.” But what was going on under the surface was even more of a surprise.
10/6/2022
Look for the recently conserved painting in our gallery soon.
9/15/2022
Look for Bread and Eggs (and onions!) to return to the permanent galleries soon.
8/18/2022
The last step of conserving the large 7’ x 5’ painting by Murillo has arrived.
6/23/2022
Now that the Murillo has been cleaned of varnish and retouching, it’s time to address its structural support, in other words, the canvas and stretcher.
5/26/2022
Cleaning of the very large painting by the Spanish artist, Bartolomé Esteban Murillo, has begun.
4/28/2022
Our paintings conservator is readying another painting for our upcoming exhibition Henry Mosler Behind the Scenes: In Celebration of the Jewish Cincinnati Bicentennial.
3/31/2022
Conservation has begun on one of the tallest paintings in the museum.