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David Driskell:

The process for me has been creative and inventive in certain ways. I want to see the texture of the paint. I want to feel it, um, and in certain aspects, I want to tell a story. They are usually narrative, mm-hmm <affirmative>, in that sense. And, uh, um, they kind of take me back to sometimes to my childhood, through biblical stories, uh, or the African influence through my teachers, professor Porter and folk like that.