These prints from the museum’s Mary R. Schiff Library are as much a contrast to the old master prints as Elaine Wormser’s bedroom was to the rest of the traditionally decorated apartment.
by Amy Dehan, Curator of Decorative Arts & Design
To resurrect the Wormser Bedroom, we relied closely on photographs of the interior taken in 1930. Zooming into these old pictures, we were able to take inventory of Elaine’s collection and determine which pups remained and which, over the years, had gone astray.
When private owners generously allow the museum to display their pieces, the conservators sometimes need to put a little effort into stabilizing them before they go into the gallery. This was the case with a monumental woodcut print by Albrecht Dürer that will soon be seen in the Unlocking an Art Deco Bedroom by Joseph Urban exhibit.
by Talia Shiroma, Joseph Urban Interactive Project Interpretive Intern
Next summer, the Cincinnati Art Museum will display an exhibition based on Urban’s late 1920s commission for the Wormser family of Chicago. Over several years of researching this work of art, a bedroom for a young woman, the curatorial team gleaned information about the workers and manufacturers who potentially fabricated many of the room’s design elements.
This padded headboard insert has a doppelganger. It is being prepared for an exhibition next year and came to the textile conservation lab for treatment.
A steady hand and a sharp eye are key for the repair currently underway of this painted silk taffeta bedspread in the textile conservation lab.
This week the objects conservator is working on an unusual project requiring the skills of an electrician.
by Molly Donnermeyer
Following World War I the style known as Art Deco rose in popularity. Originating in France, Art Deco was a response to the style known as Art Nouveau, which was characterized by its organic and curvilinear lines.
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