It truly takes a team to make an exhibition. This
The lesser-known book, The Book of Thel, is now featured in an exhibit in Milwaukee, Wisconsin.
Our paper conservator’s challenge is to remove enough yellow discoloration from the paper so that it is closer to its original color and more closely matches the other prints in the group.
Mexican Printmakers 1920s to 1950s is on display until August 14, where you can see this print and learn about Aguirre and his fellow artists.
A group of illustrations of Brothers Grimm fairy tales were prepared for matting.
Shown here is a painting by Wu Zhongxiong that was selected by the Curator of Asian art to include in our next grant application.
The print is now on its way to the Smithsonian Museum of American Art in Washington, D.C. with three other Cincinnati Art Museum pieces for exhibit in Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano.
Early this year the museum was given this portrait of the 17th century English writer Dr. Samuel Johnson.
Our paper conservator and our curator of East Asian art have been examining paintings from storage so we can add information to the curatorial and conservation files.
This print came to the paper lab because the original framing method had encouraged distortions to form across the top of the paper.
An amazing transformation took place this summer in the Paper Lab.
In celebration of his 133rd birthday, let’s take a closer look at Duchamp’s intaglio print of a cubist-style coffee grinder currently undergoing conservation in the Paper Lab.
This year the Cincinnati Art Museum is again supporting the Contemporary Arts Center by lending a book to their newly opened exhibit, “Tania Candiani: Sounding Labor, Silent Bodies”.
Staff members have been very active in the museum galleries for the past month. One of the cases that was due for its regular rotation is the hanging scroll case in Gallery 138.
Our paper conservator has not been in the lab since March, but she is still working on the collection.
Our paper conservator has been in the darkroom capturing images of watermarks from some of our Old Master prints.
This drawing recently came to the paper lab to have some old paper remnants removed. The drawing is on the back of a letter, and some of the writing was obscured.
Oil paintings do not usually come to the Paper Lab, but occasionally the conservators share projects, and that is the case here.
Sometimes an artist presents us with something that looks good from the front, but when we turn it over we notice that there are problems that can’t be seen when the art is hanging on a wall.
This month a new group of paintings is on display in the Indian gallery.
A group of Japanese prints depicting women wearing elaborate garments was recently in the paper lab.
Between doing conservation treatments for upcoming exhibitions, our paper conservator and her intern are working on a group of documents from the Mary R. Schiff Library and Archives.
Kenyon Cox was both a student and a teacher at the Art Academy of Cincinnati. His drawing Satyr and Two Children from 1876 passed through the Paper Lab on its way to the exhibition.
Posted by Conservation
This page from a Qur’an was written in the 13th century in Spain.
ur paper conservator is spending the summer looking very closely at intriguing documents that will soon be on view in Collecting Calligraphy: Arts of the Islamic World.
This spring in paper conservation, we’re looking at a print of Cincinnati, a view of the city from across the river in Kentucky.
Posted by: Joanna Kerman
Posted by: Conservation
Posted by: Conservation