We hope you’ve enjoyed reading about their treatment progress and enjoy seeing them back in the galleries on your next visit!
This beaded bag from the 1920s is in the textile conservation lab for some stabilization where some of the beading threads were broken, but it presented a special challenge...
This week in objects conservation: In contrast to our very large Jain shrine, this week we are working on a very tiny shrine!
This silk chiffon scarf--part of a dress by designer Anna Jeanne Hallée designed in 1924—is undergoing conservation for significant loss and weakness where only shreds and threads remained around the central section.
This week in objects conservation: We take another look at the progress being made on our 17th C Jain Shrine.
This week in objects conservation: another large architectural object has entered the conservation lab!
This week in the objects conservation lab: A beautiful wooden cabinet inlaid with ivory and brass.
It’s getting weavy weird in the textile conservation lab this week!
This week in objects conservation, we’re doing the finishing touches to the 100+ objects being installed in our newly renovated Ancient Middle East Gallery, opening Saturday, December 18.
We’ve come a long way on the treatment of the Elizabeth Hawes flag dress! If
In the objects conservation lab this week: we have a beautiful, though heavily tarnished, 19th C silver bowl in the lab being treated before going on display next year.
It’s time for a bath in textile conservation.
In Objects Conservation: This 19th C carved wooden box is in the lab undergoing conservation before display in an upcoming reinstallation of our South Asian Art Galleries.
This summer, Michelle Leung has the amazing opportunity to intern here in textile conservation, funded through the generosity of the Andrew W. Mellon Foundation.
Catch this newly stabilized object back on display in the Islamic galleries later this year!
Woman’s folk costume, 1900-1950, Korea, glazed linen; Gift of Mrs. Charles F. Mosher, 1966.1505ab
This week in objects conservation: Anytime an object is selected for display our objects conservator assesses its condition to determine whether it is stable, or whether it needs conservation treatment before display.
These two ceramic pieces have the same condition issues we see in many ceramic objects conserved in the early to mid 20th C.
This week we have a 16th C mug decorated with ships, seas, and animals.
Precision dyeing and color-matching is an important part of textile conservation and this week, we have a dyed-to-match success to report for this silk Argentine flag from the Elizabeth Hawes Flag Dress.
This week we have an 18thC Islamic ceramic vessel with beautiful underglaze decoration.
Conservation of the 24 “Dollyver” family member is finally complete!
This week in objects conservation: this 16th century Iznik plate is in the lab receiving treatment.
22 pairs of women’s shoes from the 1950s are being prepared for an appearance in the galleries.
The lab is full of architectural stones as we get ready to reinstall our Nabataean galleries.
Last week our paper conservator visited the Contemporary Arts Center downtown to deinstall the museum’s Panorama of the Procession.
It was laundry day in textile conservation again! This length of Korean silk is part of a sculpture by Nam June Paik (1936-2006).
This bowl, from Iraq, is a beautiful example of lusterware. Luster is an iridescent effect produced by metallic oxides in the overglaze.
For the past several years, the Cincinnati Art Museum has been a host site for the Ohio History Service Corps (OHSC), an AmeriCorps program dedicated to preserving local history across the state of Ohio.
We’re still unearthing treasures as we unpack and settle back into our renovated Paintings/Object lab.